Here is the program for our installation at the Kinetica Art Fair 2012, projected on the back wall:
Drawn Together
An interactive installation project, exploring creative crowd sourcing in hand drawn music videos. Shown at the Big Chill Festival, August 2010
The result of Drawn Together at The Big Chill festival, 4-8 August 2010:
About Drawn Together:
Drawn Together allows groups of individuals to create a music video by asking each of them to visually interpret small sections of music, and combining their work.
This particular video came from the collaborative results of about 80 people drawing 211 individual drawings (frames of animation) that each interpreted a frame of audio (at 12 frames per second, that comes to 66 milliseconds).
The experience begins with a piece of music broken into short sections, be that a slice of a drum break or a sliver of a synth warble. Individuals are given a black screen, a digital drawing tool and a looping, random section of the music. They are encouraged to draw their own visual interpretation of that sound. Once satisfied with their handiwork, the drawing is saved, linked to the sound it represents and becomes a small section of the music video. When all the sound clips have a visual representation linked to them, the video is shown.
Like the early 20th Century animator Oscar Fischinger, participants are encouraged to draw in black-and-white line drawings, giving them a free range of expression within strict stylistic constraints.
Drawn Together builds on ideas of collective consciousness and puts a modern spin on the Surrealist game of Exquisite Corpse – where artists would draw body parts and conceal them under folds of paper, before passing it to the next person to add to the mystery figure.
Like in Exquisite Corpse, participants in Drawn Together do not get to see the video until it is entirely complete. Cards are handed out with details of how they can see it online, or in a private viewing.
A Bit More:
At the same time, Drawn Together is a completely Open Source production (developed in Processing, graphics created in Inkscape) and the source code will be available after The Big Chill on this website.
Additionally, Drawn Together explores the idea of factory production in art by dividing up an artistic task (e.g. creating a music video) between a collection of anonymous, interchangeable strangers. The result is uncertain – is it stronger or more interesting than a conceptually coherent work by a single author? Is it more interesting because of its complexity? Or is the result something different, entirely? Answering these questions requires us to use the software and judge the results.
The medium of production, e.g. the Open source software, constrains the artistic possibilities of the images (black and white, with limited ability to create complex shapes). Yet, the Open source license of the software allows anyone to create a derivative version with more visual possibilities built in. The trade-off to this approach is that the more specialization and complexity are built into the visual tools for the software, the more the participants are constrained to the software’s authors’ version of visual possibility, resulting in a production model more like a traditional factory where the creative power is in the hands of those who design the system, not those who carry it out.
Contact:
If you’d like more information on Drawn Together, or to show it or other pixelpusher projects, or to schedule an interview with the artist Evan Raskob, please contact pixelpusher at info@pixelist.info.
An interactive exhibition by the multimedia artist, pixelpusher – http://pixelist.info/
I am very pleased to announce my first solo exhibition, WAVING/DROWNING, brought to you by Artsite in Swindon, UK.
This series of works in sculpture, interactive projection, archival digital prints explores the shape of the hand in a series of modern mystical symbols. Their meaning is uncertain, removed from their traditional context: are they waving at us, or flailing in a sea of lost meaning?
All these events will be at The Post Modern, Theatre Square, Swindon, SN1 1QN.
From 24 May to 29 May, 2010. Reception on Saturday, May 29.
A very limited number of signed, high-quality exhibition catalogs will be available for purchase at the gallery and artist’s talk, with a limited number of smaller versions given away free to visitors, while they last.
Please email info@pixelist.info if you are interested in purchasing prints of the works, or the works themselves.
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This Thursday I’m playing a super-secret gig at the Flea Pit (RIP) with the Openlab gang, sure to be a good time:
http://www.pawfal.org/openlab/2010/03/28/opennight-4-thursday-15th-april-the-flea-pit/
experimentation handmade electronic instruments harsh noise modular synthesizer pulse birthday throb flicker brain entraining curious devices
| Date: |
Tuesday, December 29, 2009
|
| Time: |
8:00pm – 11:00pm
|
| Location: |
McGinty’s Pub (in Ronnie’s Bar)
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| Street: |
15 Northgate Street
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| City/Town: |
Ipswich, United Kingdom
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~~~ experimentation handmade electronic instruments harsh noise modular synthesizer pulse birthday throb flicker brain entraining curious devices ~~~
noise=noise and Curiosity Collective bring some D.i.Y experimental navigations to Ipswich.
featuring:
RYAN JORDAN
(DiY punk electronics, physical performance, Pure Data, and noise)
http://ryanjordan.org/
TONESUCKER
(Fundamentalist guitar and electronic drones, pulses and noises)
http://www.onoma.co.uk/
JULIEN OTTAVI
(Live performance, hacking, activism, philosophy)
http://noiser.org/
PIKELPUSHER
(generates video out of a controlled chaos of photographic images, simple shapes, animations, sounds, and live video feeds. All software is homemade, all imagery are created live)
http://pixelist.info/
BUTTERCUP INSURGENT
(dark ambient catharsis on the most basic of equipment; a mobile phone, guitar, radio and manual distortion)
http://www.myspace.com/buttercupinsurgent
I’ll be performing (audio) with Jag and a cast of veteran livecoding musicians (slub, Wrongheaded, Michele Pasin, Thor Magnusson) at the Anatomy Museum at Kings College on 14 January 2010:
http://staff.cch.kcl.ac.uk/~mpasin/events/livecoding/
Marching Rocks, Gloves & Code
Experimental electronica: new, old and somewhere in-between.
Saturday 24th October
7pm – Later. FREE
at SPACE, 129 – 131 Mare Street, London E8 3RH
SPACE and Culture Lab (Newcastle) come together to bring you an evening of experimental electronica, featuring performances from: Jamie Allen’s CircuitMusic, Jo Kazuhiro, PixelH8, Massive Black Mountain (Will Schrimshaw & Nick J Williams), Adam Parkinson(Rare and Glorius) The Cane Toad Orchestra (OpenLab) and Dave Griffiths(Slub).
DJ RE:ROOT (Marc Garrett) from arts collective www.furtherfield.org provides punk, new wave, no wave, post punk and early electronica from 1976 – 1984 and Dean Baldwin’s “Minibar” the smallest bar in London will open its doors for one of the last times.
Tell your enemies, friends and family- this is going to be good.
More info at: http://www.spacestudios.org.uk/All_Content_Items/Media_Arts/MarchingRocksGloves&Code/
Originally uploaded by da mad pixelist
The Cane Toads, Johnny Stutters, Ryan Jordan, Rob Munro, and others playing at The Roebuck on 22 Oct 2009!
The Cane Toads at Shunt 1 Oct 2009
The Cane Toad Orchestra featuring PixelPusher (or so I like to call it) is playing Shunt next Thursday, Oct 1, 2009, as part of Toplap’s Livecode stage. That’s right, we’ll have no choice but to make some livecoded music and visuals, and that means sonic and visual anarchy of the most chill quality, kind of like a nice late-season muscat dessert wine, full of bite but thick with sweetness like a long summer day. (I think that was a triple-simile, and I might have twisted my ankle landing that one.)
++ PUBCODE ++
The first series of livecoded music events in London.
Live coding is a new direction in electronic music and video, and is
starting to get somewhere interesting. Live coders expose and rewire
the innards of software while it generates improvised music and/or
visuals. All code manipulation is projected for your pleasure.
When:
7pm – 11pm Friday 29th May
Featuring:
Yee-King
(spasmic drumming)
slub
(ambient skiffle techno)
Click Nilson
(slurs, arrows, slurring)
Pixelpusher vs The Cane Toads
(dirty pixel raga)
Scott Hewitt
(patching things)
Place:
The Roebuck
50 Great Dover Street
London
SE1 4YG
Map:
http://is.gd/CL5G
Door tax:
Free
Tube:
Borough (5 mins walk)
London Bridge (9 mins walk)
More info:
http://toplap.org/uk/
TOPLAP UK gratefully acknowledges financial support from the PRS Foundation.